They also represent the structure of music and how each of the parts contribute to the overall sound of the music. The four types of music texture represent the evolution of music in time from the simple, chant-like Gregorian pieces sung by monks to the complicated compositions we have today. However, there are four standard terms used to define the four types of texture in music: This leads to some informal descriptions of musical texture – for example, a “thick” texture might describe a piece of music having many instruments accompanying it, while a “thin” one could be Whitney Houston’s opening to her “I Will Always Love You.” Trusted Source THE ELEMENTS OF MUSIC You are embarking on an adventure through musical time, and this journey willīe more pleasurable if you first become familiar with some basic musical concepts.Īre organized to create music. In other words, the texture of music refers to the way different forms of sound These elements are fused with tempo and timbre which are woven together, much like threads in fabric, to create distinct differences in music texture. Music is organized or composed of many “blocks” or elements including pitch, melody, harmony, and rhythm.
#Polyphonic texture consists of how to#
The trained musical ear can pick up the subtle elements that make up music and follow their interaction in the music, but the same problem of how to describe texture in music remains. The word “texture” itself would suggest a sense of touch or sight, but music texture is more about how it sounds. While that is correct to some extent, texture in music is more complicated than that. They generally use these terms in this sense to mean how the music sounds or what feelings it evokes. People describe texture in music using terms such as thick, thin, complex, or smooth. If you’re wondering what in the world they are talking about, It’s time to explore texture in music definitively to get a sense of what it means, the types of texture in music, and how to identify them. You may have heard music junkies talk about the texture of music in the same way they would talk about the texture of a surface, food, or some fine art. We may earn a commission through products purchased using links on this page. How's that for complicated? It sounds really great though, when composed and performed properly.Prime Sound is reader-supported. Polyphonic texture is when you have two or more voices playing independently of each other, with different rhythms, melodies, and harmonies, yet in a complimentary way. Some people would simplify this down into "harmony", but polyphonic texture is different than that.
There are a lot of technical aspects of polyphonic music too, like polyphonic texture, for instance. It really does have a very fascinating history, which you did a good job of tying in to this article. I recently became interested in learning more about the history of polyphonic music after a friend turned me on to Gregorian chant and music. "The center of polyphonic music in Europe after 1150 was."Īny music buffs out there who can help me out? Homework question for you all - I've got a fill in the blank question: I will say, heterophony is certainly an acquired taste, but one well worth cultivating. However, it's so rarely used that heterophony sounds "weird" to most Westerners when they first hear it. This is much more common in Asian music, especially Japanese Gagaku and traditional Thai and Filipino music, but some Western composers do make use of it. This is the kind of sound where you have two voices (or more) doing a simultaneous variation on a melody line. Another interesting contrast to polyphony is heterophony, or heterophonic texture.
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